Monday, March 4, 2019

Comparison of The Arrival of the Beebox and The Love Song of J Alfred Prufrock Essay

In Sylvia Plaths The reach of the Bee Box and T. S. Eliots The Love Song of J. Alfred Prufrock both loudspeaker systems be burdened by great mental anguish caused by their contact of insignificance and supplylessness in the world. They both fear and accept the prospect of death, enchantment acknowledging spiritedness as its opposite. These are the two sides of the human experience. Through an congenital monologue, Prufrock explores his feeling of uselessness and displacement in society, while in The Arrival of the Bee Box, the speaker is refer with their agentlessness over their opinion, and impending consequences. passim The Arrival of the Bee Box, the speaker is concerned with their weakness to the noises in their mind. The speaker tends to contradict or argue with themselves as ushern by contrasting looking at and opinion. While the speaker knows that (the box) is dangerous they still cant salvage away from it. The speaker wishes to be sweet God, yet denies desirin g power by proclaiming that I am not a Caesar. This bi-polar behaviour is in addition shown by inconsistent rime throughout the poem. In the first stanza transmit is rhymed with midget and it, yet in other stanzas no rhyming is instal at wholly. Inconsistently throughout the poem, internal rhymes are found square as a chair, din in it, It is down in the mouth, dark which add to the staccato feel of the poem.The din of the bees is emphasized profusely by using consonance and onomatopoeia It is the noise that appals me most of all. The unintelligible syllables that highlight the honest noise and confusion in the speakers mind. The noise of their mind is highlighted by many an(prenominal) another(prenominal) metaphors that compare the sound to furious Latin, a Roman mob, angrily clambering, a box of maniacs and unintelligible syllables. The chant of the end of the piece seems to ask for help as the speaker asks many questions such as how hungry they are?, if they would f orget me?, how can I let them out?, and why should they turn on me?. The speaker expresses a desire to be in control, but accepts that they are insignificant to the power of the noise in their mind.In T. S. Eliots The Love Song of J. Alfred Prufrock, Prufrock is concerned with his sense of his insignificance and displacement in society. Eliot makes use of metaphors measured out my life with coffee spoons, When I am pinned and wriggling on the wall to show that Prufrock compares life to coffee and feels like an insect on a wall. Contrastingly, Plath uses metaphors to emphasise an exact sound, the noise of the bees in the speakers mind. Eliot also uses overmuch more alliteration than Plath in his poem Before the taking of a toast and tea, fix you in a formulated give voice, When I am pinned and wriggling on the wall whereas Plath nearly did not use any alliteration at all apart from scandalous on black perhaps since her piece sounds more like a story using conventional words wh en compared to Eliot.Both Eliot and Plath personify many objects in their pieces. Plath describes the bees as a Roman mob and Eliot compares the yellow haze over and smoke to a cat as it licks its tongue, leap(s), rubs its muzzle and kink and fell asleep. A unique literary device that Eliot uses is anaphora To have To have To roll To say which in this instance describes all the things that Prufrock could have done, but never did.The central connecting burden that both speakers are plagued with is a powerlessness to their Sword of Damocles the bees ruling the speakers powerless mind and Prufrocks feeling of alienation and uselessness in the satisfying world.

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